However, it packs a lot of other tech into its compact body, including a great 24.1MP sensor, 10fps shooting, and the fact that it has a viewfinder (which many similarly priced mirrorless cameras lack). Alas, while it's an excellent 1080p camera, it's a poor option for 4K – which loses Dual Pixel AF (left lumbered with contrast-detect) and suffers a 1.6x crop. ![]() These include improved autofocus (along with eye detection in stills and video), along with big boons for video shooters in the form of clean HDMI out, vertical video recording, and the ability to live to stream directly to YouTube. On the surface, this is a modest upgrade over the original Canon EOS M50, but the additions make it worth picking up over its predecessor. Read our full Canon EOS R7 review for more details Throw in a joystick, fully articulating touchscreen and dual memory cards, and this is one of the best bang-for-buck Canon cameras out there. ![]() On top of that, it accepts both the new line of RF-S (APS-C specific) lenses as well as the existing full-frame RF optics. There's plenty of play in the files, which gave us lots of leeway for post-production, and the video quality is crisp and clear in both 4K, whether it's the 4K 60p or 7K-oversampled 4K 30p, with autofocus performance straight out of the R3 / R5 / R6 that won't let you down. It's lightning-fast both mechanically and electronically, the resolution offers glorious detail as well as the opportunity to crop into your shots, and the 1.6x crop factor makes your lenses even longer for shooting faraway subjects. It's not uncommon for keen photographers to spend more on a lens than a body, so be sure to take a look at what's available before you commit.Not only is the Canon EOS R7 the manufacturer's finest APS-C mirrorless camera to date, but it may also be the finest APS-C camera on the market period. So if you're on a tighter budget, it probably makes more sense to go with an APS-C sensor. After all, a camera is nothing without some good glass in front of it.įull-frame bodies tend to be on the pricier side, but the same is true for their lenses. There's a model for every budget, but it's important to factor in the cost of lenses. BudgetingĪs you likely well know, mirrorless camera pricing ranges anywhere from a few hundred to several thousand. It's a bit more complex than that, however, as different camera systems have different sensor sizes that give different focal length equivalents, but stick to that rough rule above and you'll have an approximate understanding of what you're getting. The lower the number the wider the angle of view, so more will "fit in" to a given scene. ![]() Others are already past their sell-by date: Pentax gave up on the Q-mount for Pentax Q in 2017 NX-mount for Samsung NX (and specifically the smaller NX-M mount for the NX Mini) are both now defunct, and the 1-mount for the Nikon 1-series was also binned in 2017.Įach lens will have "mm" marking on it, such as 12-24mm, to convey the angle of view it will deliver. Meanwhile, most Fujifilm models are APS-C and use X-mount XF lenses. The exceptions are Micro Four Thirds, which is supported by Panasonic Lumix G, and both Olympus Pen and Olympus OM-D models and the Leica L mount, which will offer S lenses from Panasonic and lenses from Sigma.Įlsewhere there are a whole host of considerations, each tied to their respective manufacturers: it's RF mount for Canon's full-frame models and RF-S for its APS-C models it's E-mount for Sony cameras of all sizes, but the full-frame lenses are called FE models. Brands like to keep their own heritage and, as such, manufacturers tend to have individual lens mounts. Where previously you would have needed to carry spare batteries or a cumbersome charging dock, now you can plug into any old power bank and keep your camera topped up.įirst thing's first: cameras don't work in a one-size-fits-all kind of way. Need good quality audio? Then you'll be looking at the microphone inputs (not all cameras have them).Ī lot of modern camera bodies offer USB charging functionality, this can be incredibly handy when you're on the go. Will you want to hook up an external monitor? If so, you'll want a body with an HDMI output. Hooking things upĮspecially for video, there's a wide range of ports to think about. If you're shooting stills of fast-moving sports, then you will want to consider the burst rate. If you need to shoot 4K videos, then clearly you'll want a body that supports that. Ultimately, the answer will be in the specs. For street photography or holiday snaps, a lightweight, smaller camera will be ideal. If you'll mainly be taking videos, a heavier camera body might be better for keeping your shots stable. This will be the crux of the decision for most people, as different cameras are geared toward different shooting styles.
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